Download PDF by Guerrilla Girls: Bitches, Bimbos, and Ballbreakers: The Guerrilla Girls'

By Guerrilla Girls

ISBN-10: 0142001015

ISBN-13: 9780142001011

No matter what existence a girl leads, from biker chick to society lady, there's a stereotype she'll need to stay down. The Guerrilla Girls, infamous for his or her outrageous tackle women's concerns, now take on the maze of stereotypes that persist with ladies from cradle to grave. With subversive use of information-and nice visuals-they discover the background and importance of stereotypes like previous Maid, Trophy spouse, and Prostitute with a center of Gold. They tag the pinnacle varieties, research sexual slurs, clarify the evolution of butches and femmes, and delve into the lives of actual and fictional ladies who've develop into stereotypes, from Aunt Jemima to Tokyo Rose to June Cleaver. The Guerrilla Girls' most recent attack on injustice in the direction of ladies will make humans snicker, cause them to mad, and even perhaps lead them to swap their minds.

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Extra info for Bitches, Bimbos, and Ballbreakers: The Guerrilla Girls' Illustrated Guide to Female Stereotypes

Sample text

Ray Browne, "Popular Culture: The World Around Us," in Jack Nachbar, Deborah Weiser, and John L. ) The Popular Culture Reader (Bowling Green, Ohio: Bowling Green University Popular Press, 1978), p. 12. Introduction / 19 (9) Eugene Genovese, Roil, Jordan, Roll: The World The Slaves Made (New York: Random House, 1972), p. 584. (10) See Raymond Williams, Marxism and Literature (Oxford: Oxford University Press, 1977), esp. pp. 75-82, for a discussion of (a) the ambiguity in Marx's conception of the relationship between culture and economy to society and (b) the rigid interpretation of the base-superstructure relationship by some Marxists.

112. Also see Stuart Hall, Bob Lumley, Gregor McLennan, "Politics and Ideology: Gramsci," Working Papers in Cultural Studies, 10 (1977): 77-106. (16) Williams, Marxism and Literature, p. 122. , pp. 123-24. (18) See Antonio Gramsci, Letters From Prison (New York: Harper and Row, 1973), p. 2>0; also Prison Notebooks, pp. 9, 10, 200, 265-66, 321-3,333,418, 423. (19) See Stuart Ewen, Captains of Consciousness (New York: McGraw-Hill, 1976), for an example of a contemporary study that adopts this perspective.

See Diane Waldman, "Critical Theory and Film," New German Critique 12 (Fall 1977), pp. 39-60, for a discussion of the differences in Adorno's and Benjamin's writing on the progressive potential of popular film. Waldman argues that critical theory can be adapted toward a more open-ended theoretical perspective on popular film. (13) Antonio Gramsci, Prison Notebooks (New York: International Publishers, 1970), p. 12. (14) Gramsci's concept of hegemony contains many more elements than are relevant to my purposes here.

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