Chip Carving: Techniques & Patterns - download pdf or read online

By Wayne Barton

ISBN-10: 0806979240

ISBN-13: 9780806979243

Utilizing at the least instruments, somebody can quick create appealing carvings. beautiful styles, lettering kinds, and designs for jewellery packing containers, humidors, chair backs, buttons, shingles, extra. Many pictures, styles, diagrams. “The absolute best in ornamental taste.”—Popular Woodworker. “The such a lot informative ebook ever... fantastically illustrated.”—Chip Chats.

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Additional resources for Chip Carving: Techniques & Patterns

Example text

You will have to run a finger along the blad e to determine the di rection they are fac ing. he blade points to wards th e opposi te clamp and is not poin ting upwards or downwa rds (one of the main reasons fo r breakages during loading) . Tighten th e wing nut by hand, as tigh t as you can ge t it. Thread th e blade through th e pinhol e from th e back of the pad . Pull on th e undamped e n d of the blade in one hand while you slide th e pad down the length of th e blade towards you r body until it touches the handl e e n d ofth e frame.

That's the first of 28 flutes inserted. 9 Place each strip edge-to-edge agai nst the previous strip, moving clockwise around the design (anti-clockwise if left-handed). The str ip must overlap the outer oval. The sandshading must end at the middle (red) oval. The strip must overlap part of the centre oval. No te that th e ven eer ta pe m us t stay onu u til th e is glued to its int ended a p plica tio n (see p . '17) . J~lII Gi CHAPTER Two I T UTORIALS r After layin g the fir st strip , all th e remaining strips will be held together usin g ve n e e r tape .

Commerciall y, harcwood is made by immersin g full leaves or sycamore, on e d ge , in an upright tu b of solution a nd loosely coiling e ach leaf, allowin g the ch e m ical to wo rk ac ross the entire surfa ce. By acc ident, a co lleag ue let so m e soluti o n splash onto a sh e e t of untre ated ve n e er wh e n m aking h arewood , an d the [l)llowing day h e noticed a gr ey patch o n his otherwise untouched sample. Re aliz ing the possibil iti es this provided. e used the sp lashe d area in a marquetry picture ,1([ it provid ed th e artistic effect h e was looking : Jr.

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Chip Carving: Techniques & Patterns by Wayne Barton

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