By Matthew S. May
During this thesis I reconsider the materiality of rhetoric in a minor key. I overview
poststructural and psychoanalytic endeavors to put rhetoric from in the
postmodern and poststructural critique of the topic. I circulate past the good judgment of
influence (dependent on a improper belief of item) and hermeneutics (the
correspondingly incorrect methodology). In thisendeavor, I basically enlist Deleuze and
Guattari (1987) for a conceptual gear that enlivens the “thinness” of rhetoric’s
(neo)Aristotelian conceptual layout (cf. Gaonkar, 1997a, 1997b). I provide Monster(2003)
as a case examine, studying the discursive expression of nondiscursive summary machines to
draw out the reterritorializations of the latter. spotting the impossibility of entire
reterritorialization I map one artifact that reinvests distinction in itself, Dancer within the
Dark(2000). eventually, within the epilogue I supply a short recapitulation of juvenile politics,
and provide a summarization of the software of rhetoric.
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Extra resources for Deleuze, Femininity and the Specter of Poststructuralist Politics: Variations on the Materiality of Rhetoric
Therefore, analyzing narrative production is valuable as a tool for critique inasmuch as it makes visible the emergence identitarian politics predicated on multiculturalist and relativist ethics of diversity and its accompanying ideological commitments (Badiou, 2003). As Nietzsche might say, analyzing narrative aids in the development of understanding how humanistic, all too humanistic, narratives, narratizations, and stories are articulated to the logic of contemporary capitalism, serving the reactionary goal of perpetuation of the current mode of production, despite their ostensible and well-intentioned claims to the contrary.
After the police circulate sketches of Selby and Lee, she busses Selby back to the comfort of her parents’ home. Eventually Lee is picked up by the police on an obscure charge and is set up by Selby (under pressure from the authorities) to confess after the police have wire-taped a conversation between the two lovers. The film then cuts to a court scene where we see, but do not hear, what is presumably, Selby’s testimony against Lee. We do not hear the conviction but are only privy to Lee’s (as in Wuornos’ characteristic) outbreak in the courtroom: “Thank you judge.
111). 2. Deleuze and Guattari (1987) argue “thus the sign has already attained a high degree of relative deterritorilization; it is thought of a symbol in a constant movement of referral from sign to sign” (p. 112). 3. Deleuze and Guattari (1987) write the signifying regime is not simply faced with the task of organizing into circles signs emitted from every direction; it must constantly assure the expansion of the circles or spiral, it must provide the center with more signifier to overcome the entropy inherent in the system and to make new circles blossom or replenish the old.
Deleuze, Femininity and the Specter of Poststructuralist Politics: Variations on the Materiality of Rhetoric by Matthew S. May