By Thomas B.F. Cummins, Barbara Anderson
Here's a set of essays on Historia basic del Piru that debate not just the manuscript's actual components--quires and watermarks, scripts and pigments--but additionally its relation to different Andean manuscripts, Inca textiles, eu pics, and Spanish resources and book strategies. The sum is an surprisingly targeted and interdisciplinary research of the production and destiny of a historic and inventive treasure.
the amount beneficial properties contributions by means of Rolena Adorno, Barbara Anderson, Ivan Boserup, Thomas B. F. Cummins, Juan M. Ossio, Elena Phipps, Karen Trentelman, and Nancy Turner.
Read Online or Download The Getty Murúa : essays on the making of Martín de Murúa’s "Historia general del Piru," J. Paul Getty Museum Ms. Ludwig XIII 16 PDF
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Here's a set of essays on Historia common del Piru that debate not just the manuscript's actual components--quires and watermarks, scripts and pigments--but additionally its relation to different Andean manuscripts, Inca textiles, ecu photos, and Spanish assets and ebook strategies. The sum is an strangely exact and interdisciplinary research of the production and destiny of a ancient and creative treasure.
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Additional info for The Getty Murúa : essays on the making of Martín de Murúa’s "Historia general del Piru," J. Paul Getty Museum Ms. Ludwig XIII 16
2. 3. 4. Drew outer vertical lines. ) Inscribed text. Drew inner vertical lines, interrupting them where text lines were too long. Drew bottom horizontal lines, adjusting position when text runs long (see folios I49r, ipor). GETTY SCRIBE 2 1. Drew both sets of vertical lines. ) 2. Inscribed text, very often overrunning the inner vertical line at the right, occasionally overrunning both inner and outer lines. 3. Drew bottom horizontal lines, adjusting position when text runs long (see folios 2211, 225V, 2/ov).
66 Then the Getty Murúa passes to a survey of cities like the one elaborated in the Galvin manuscript. The catalog of cities is basically the same in the two manuscripts, although in the Getty version, the accounts of Lima (Ciudad de los Reyes) and Cuzco each gain two additional chapters and Arequipa and Potosí gain one. The description of Potosí is expanded by treating the silver mine and the urban settlement in separate chapters. The additional chapters on Cuzco purportedly contained 20 ADORNO AND BOSERUP accounts of the celebrations held in the ancient Inca capital in 1606 to commemorate the birth of the Spanish crown prince, the future Philip IV, in 1605.
The first two contain only prose texts—chapters 2 and 3 of book i, respectively. In contrast, two excised and moved folios contain drawings, folio 19 on one side only and folio 21 on both sides, with the text on the one side of folio 19 first being canceled and then obscured by a pasted-on blank (folio I9bis); the contents of the first three folios, before chapter i, are unknown, as those folios are now represented by stubs, unless (possibly) recycled as one or two of the singletons of quires i through 3.
The Getty Murúa : essays on the making of Martín de Murúa’s "Historia general del Piru," J. Paul Getty Museum Ms. Ludwig XIII 16 by Thomas B.F. Cummins, Barbara Anderson